I liked half the ending. It’s a shame that we had to slam the brakes for the other half of it so

.

Dukat and Kai Winn can be satanists. I like the idea that Sisko ends up joining the Prophets outside time, but it never really feels like the writers knew what to do with him being a spiritual figure for Bajor. This ending just kind of happened.


Anyway, I’m posting this 'cus there used to be a user here with the name SiskoDidTwoThingsWrong, and i’m wondering what those two things were? Keeping the cure to the changeling disease seems like the most obvious one. I’m curious what the second is

  • chillbo_baggins [he/him]@hexbear.net
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    2 months ago

    Well done, trekkie! I loved >!Kai Winn hooking up with Gul Dukat/Satan.!< Such a ridiculous, epic and satisfying end to a pair of great villains.

    On Sisko: as another user already said probably his famous “I can live with it” line from “I’m The Pale Moonlight” S06E19 >!The Federation was losing the Dominion War. Only Romulan aid could turn the tide, but the Romulans were neutral. Sisko and Garak forged documents, murdered a Romulan diplomat, and framed the Dominion. The Romulans entered the war and the Dominion was eventually defeated.!<

  • Dickey_Butts [none/use name]@hexbear.net
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    2 months ago

    I agree the ending was not the greatest and it also seems to forgive Sisko’s crimes unanimously and without too much introspection. I think the writers were in over their heads but did a great job for the most part.

    Basically The Sisko can have a little warcrime, as a treat.

    I can live with it.

    • HarryLime [any]@hexbear.net
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      2 months ago

      I don’t think you can call it a genocide if there’s no evidence anyone actually died. It was definitely a forced displacement, or a species cleansing.

      But even then, the Maquis did it to the Cardassians first. It’s a brutal calculation but it was a brutal situation- if you’re going to poison a planetary atmosphere so you can settle it, then the same thing happens to one of your planets and you have to swap with the people you just displaced.

  • ElGosso [he/him]@hexbear.net
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    2 months ago

    Probably the events of In The Pale Moonlight, or standing against whatever the resistance was called, I forget.

    EDIT: They were the Maquis

  • someone [comrade/them, they/them]@hexbear.net
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    2 months ago

    but it never really feels like the writers knew what to do with

    This can be applied to so many DS9 characters in the latter half. The more I rewatch DS9 the less I like season 4 onwards for this reason.

    I’m becoming more and more convinced that a good TV show needs to either be entirely written by the showrunner, or have a very small team of writers being carefully managed by a showrunner with their own good writing skills. Otherwise it’s all an inconsistent jumble.

    • Wheaties [she/her]@hexbear.netOP
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      2 months ago

      I liked Dax and Warf as a couple. Killing her off the same season as the wedding was some serious Soap Opera bullshit, though

      • buckykat [none/use name]@hexbear.net
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        2 months ago

        That was because Rick Berman was being a fucking creep to Terry Farrell. According to her,

        The problems with my leaving were with Rick Berman. In my opinion, he’s just very misogynistic. He’d comment on your bra size not being voluptuous. His secretary had a 36C or something like that, and he would say something about “Well, you’re just, like, flat. Look at Christine over there. She has the perfect breasts right there.” That’s the kind of conversation he would have in front of you. I had to have fittings for Dax to have larger breasts. I think it was double-D or something. I went to see a woman who fits bras for women who need mastectomies; I had to have that fitting. And then I had to go into his office. Michael Piller didn’t care about those things, so he wasn’t there when you were having all of these crazy fittings with Rick Berman criticizing your hair or how big your breasts were or weren’t. That stuff was so intense, especially the first couple of years.

  • CyborgMarx [any, any]@hexbear.net
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    2 months ago

    Sisko was justified in his poisoning of the Maquis colony, Eddington was playing a dangerous game with his cavalier use of bioweapons, Sisko got into his head and shut that shit down quick before the precedent could be set and the brinkmanship escalated into an annihilatory interstellar war with WMDs

    • Wheaties [she/her]@hexbear.netOP
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      2 months ago

      Yeah, that was my takeaway too. Quickly stepping in and doing something about it as a representative of the Federation was far far preferable to Cardasians deciding bioweapons are on the table.

    • AmericaDelendaEst [comrade/them]@hexbear.net
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      2 months ago

      became this chosen figure raised by the prophets suddenly in the last season

      Isn’t it pretty early on though when he’s getting visions or whatever from the wormhole? Like i never got that far in DS9 because I don’t like space station star trek but i’m pretty sure i saw that

      • Flyberius [comrade/them]@hexbear.net
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        2 months ago

        It’s set up from the very first episode. Personally I like it and I always thought the prophet scenes were done really well, with them talking to him through his memories. Gave me chills sometimes

      • MusicOwl [comrade/them, sie/hir]@hexbear.net
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        2 months ago

        From what I remember, it starts out with him becoming the emissary by coincidence. He just happens to find the wormhole, the prophets in the wormhole decide that he is not a threat and he is chosen by the Bajorans as their prophet for this reason.

        At the last season, they change Sisko from this everyman to actually he is the chosen one that we raised from birth for this very purpose. Suddenly he is the chosen son of one of the wormhole aliens, and I get so mad at chosen one narratives, find them so lazy and all too common.

    • Wheaties [she/her]@hexbear.netOP
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      2 months ago

      DS9 is more serialized, and this becomes increasingly the case in the latter seasons. Instead of wiping its hands of a plot and moving on to the next event of the week, the show tries to sit with the consequences of its philosophy and politics. DS9 is more interested in practical realities, while still trying to stay true to a positive and optimistic look at the future.

      It doesn’t always work well, but hey neither does TNG