Huey spits straight facts

  • lvysaur [he/him]@hexbear.net
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    4 years ago

    Black people (and maybe others) get radicalized by the Boondocks

    white people see Uncle Ruckus and laugh at him while tacitly agreeing

    • TreadOnMe [none/use name]@hexbear.net
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      4 years ago

      The Boondocks was actually one of many steps I took as a white person to radicalization. Was introduced to it by my black roommate in college. Was a hardcore lib then, but this was one of the first times I had had access to critical black theory that wasn’t just some hand picked Malcolm X excerpts and it challenged the way I thought about African American history and culture and the criticisms of that culture by members within that group that I hadn’t been exposed to. I mean, it was part of a general cultural program that he dubbed ‘Hood Movie Wednesdays’ and I can’t say it was the main radicalizing factor, but I can say that it is one of the few things that became more enjoyable to watch as I radicalized.

  • Sandinband [any, comrade/them]@hexbear.net
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    4 years ago

    The first time I watched it I used some random site that had a completely uncensored version and in that version you see the grandads dick and the dick of the guy in the prison rape episode

  • PorkrollPosadist [he/him, they/them]@hexbear.net
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    4 years ago

    The only thing I think the show really fucked up was trying to reclaim the n-word. It really seemed like Aaron wanted to redefine it as a term to refer in general to the self-interested, short-sighted bucket of crabs mentality of the lumpenproletariat - as if it could be removed from the centuries of baggage the word carried. This confused some dumb white teenagers like myself. The word could never be reclaimed - at least, not in the socio/economic/political/cultural environment the show was created in. I give Aaron credit for trying though. It certainly wasn’t the path of least resistance.

    The first three seasons of the animation were solid. It went to shit the second Aaron McGruder was no longer involved in its production.


    What is happening in season four to Huey Freeman has, in the course of history, happened repeatedly to the revolutionary thinkers and leaders of oppressed classes fighting for emancipation. During the first three seasons (written by McGruder), the oppressing classes constantly hounded him, received his theories with the most savage malice, the most furious hatred and the most unscrupulous campaigns of lies and slander. In season four (not written by McGruder), attempts are made to convert him into a harmless icon, to canonize him, so to say, and to hallow his name to a certain extent for the “consolation” of the fans and with the object of duping the latter, while at the same time robbing Huey Freeman of his substance, blunting his revolutionary edge and vulgarizing it.