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  • wjrii@lemmy.worldtoScience Fiction@lemmy.worldGrand Star (2007)
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    4 days ago

    See also Killjoys, Dark Matter, Vagrant Queen, Helix, Ascension (some scenes), and I think Orphan Black would fit alongside The Expanse. Soooo many darkly lit industrial-themed loft apartments, barely disguised warehouses, and underground tunnels that (in the real world) let people avoid the weather while downtown. :-)

    Doesn’t prevent a show from being good, far from it, but it’s an identifiable look.

    Funnily enough, YOUR show seems to have been filmed in France, LOL. Canadian warehouses are a state of mind, I guess.




  • Well, I did it again. I clicked the “show in context” icon on Alexendrite instead of the identical one to add a link and nuked my comment. :-)

    Summing it up:

    1. Those poorly managed franchises occupy a cultural space in North America not unlike “sleeping giant” clubs in Europe, and the financial and other parity measures are designed to encourage fans to hope every year. Sometimes it even works.
    2. The systems are different, largely arising out of differences between America in 1885 and England in 1885, but both have more than a century of passionate fan support and I find both compelling.
    3. MLS is a weird hybrid, being both the perfection of the closed shop model, yet also participating in the global market for both aging stars and younger players of decent but fungible quality.

  • MLS and American playoff systems in general are not bad. From an interest standpoint, they simply move some end-of-season drama from the bottom of the table to the middle. I am glad they’re not the only model, though. Variety is the spice of life.

    Closed-shop American leagues also make a debatable but not insane tradeoff of fewer fans getting top-flight sport in their towns, but more fans getting a legitimate bite at the apple for a championship.







  • Yeah, there’s no two ways about it, book 1 is Royal Navy in Space, and the Peeps are almost a drop-in replacement for (little-r) republican France. We’re not dealing with hard sci-fi here, but I did think the infodump 2/3 through that described how it got to be “Royal” was less silly than I expected, if (again) a bit on the nose.

    I didn’t sense a ton of deep ideas forthcoming, but once I settled into letting the book be what it wanted to be, I enjoyed it well enough. Good airport/beach reading, and as I mentioned, you make Honor and the crew just a bit more compelling, and I think you’ve got a “brand” that could do really well in movies or TV. Master and Commander was a solid film that might have found a bigger audience if it were set on a star-cruiser.





  • I’m not sure I entirely agree, but I am sympathetic. It really is an entire book about why one sci-fi trope is a bad idea. There’s an almost eye-rolling meta-text that he’s done with any traditional notions of space travel and heroic explorers, and that it’s time to turn our eyes and brains to earth.

    Now, I think I was okay with seeing that story play out, and I do appreciate any author who can hold my attentiona during info-dumps (Hello there, Neal Stephenson) but there was certainly an element of Wagons East! in the book, but not enough John Candy and Richard Lewis.