Man. I really need to start watching movies from the French New Wave. I knew Alphaville was technically a science fiction story, but I didn’t realize how far I to the genre Godard leaned.

High Hopes by Mike Leigh seems like it at least partially checks that box.

Your final sentence provided me an audible guffaw.

They don’t make Ballnostrillian mask, I worked with what I had access to.

Post your shit, don’t be excessive. If it gets deleted for self promo in one community, there’s several alternatives. If it gets deleted in every community, reassess your messaging lol.

This platform requires OC to survive, or else we’re just a mirror for other sites. Deleting OC because it comes from the Creator seems short-sighted, but I’m also not a mod. So, ymmv.

I mean, we can only go off of what is presented in the story, while acknowledging it’s 4chan and therefore both fake and gay. Within that frame, the new guy has been tagged with a nickname, he has mentioned to his colleagues that he’d prefer they not call him the nickname, and they are continuing to call him the name he’s expressly said he’d prefer they didn’t use. That’s a textbook hostile work environment, at a minimum.

He’s upset enough that he voiced his preference. Choosing to ignore that stated preference might be fine in this context, or it might not be. But, assuming that someone is not actually upset about a behavior that they’ve requsted change seems like an unnecessary leap of faith.

I cannot believe no one has mentioned Bill Paxton, who is, to my knowledge, the only actor to have been killed onscreen by the Terminator, a xenomorph, AND a Predator. If that doesn’t qualify him for a spot in the genre HoF, idk what does.

And a hundred thousand tons of crude oil.

I feel like my regular rotation is slight in comparison to what other folks are posting, but podcasts are an unwinding kind of activity for me, so I don’t really want to be inundated with current events or heavy topics. Accordingly, here’s a bunch of “Arts and Culture” type recommendations.

Bandsplain: Yasi Salek explores bands’ discographies, usually with a guest who is a self-described super fan of the band being discussed. I think it’s a Spotify exclusive, which is a bummer, but they leverage that to actually play relevant songs at certain points in the cast. A good way to remove blindspots in your catalog, or to achieve a greater understanding of artists’ holistic output, rather than just the hits.

Blank Check: A podcast about filmographies. Each “season” covers a different director, and the hosts examine their career chronologically. Fun, and it encourages me to finally tackle movie blindspots. They are doing the first half of Spielberg’s career at the moment, most recently discussing 1987’s Empire of the Sun.

Eye of the Duck: A podcast about movie genres / vibes. Each “season” is a different kind of film, and the hosts select emblematic examples to examine in chronological order, with a mind towards how the genre evolved over time. Examples of past topics include Alien Invasion, 80s Dark Fantasy, Space Movies, and so on. They are typically a little more “film school brain” than most amateur podcasts, which I appreciate, but may not be everyone’s cup of tea.

Three Moves Ahead: Weekly video game podcast, with a heavy emphasis on strategy games. I’m not a regular listener, but I will often check to see if they’ve done an episode on a particular game that I’m playing.

Every F’n FF: Three folks (who I think are involved in the speed running scene) on a quest to complete every Final Fantasy game. This coincided with a replay of FFX that I embarked upon. Sadly I think X-2 may have broke them, as they’ve not uploaded since last October, but it does look like they completed 1, 2, 4, 7, 10, 13, and Dirge of Cerberus.

This isn’t a direct answer to your question per se, but if this a topic that interests you, I can’t recommend The Right Stuff enough. I’ve not seen the film from the 80s, though by all accounts it’s pretty good, but the book is an excellent overview of the early days of space exploration, when the exact sort of questions that you ask here were being bandied about by the fledgling, pre-Apollo program NASA.

The focus of the book is on the first wave of astronauts who, as someone else mentioned, were pulled primarily from combat aviation backgrounds. I recall several passages which detailed their reactions to the sorts of psychological testing that they were undergoing, usually complete with humorous anecdotes.

I’m speculating, and certainly not a business expert, so heaping handfuls of salt comes with this statement: I think part of the problem that led to this is that each game was published by a different entity. Square published 2016, then put the devs up for sale the following year, citing underperformance. IO buys itself out and becomes independent, but needs capital to get Hitman 2 across the finish line. Enter a publishing deal with Warner Bros. That game proves successful enough that Hitman 3 is able to be self-published.

Considering IO’s concept of this World of Assassination trilogy was always that it would have certain online-only or live servicey features, and I assume that publishers often provide the necessary infrastructure for these things, I wonder if the rotating chair of publishers is to blame for making this process so much more obtuse than it needs to be.

Why stop there? “Butt Nut Squash” was right there!

Just anecdotal experience to relate, but the opinion I see most commonly in various threads is that being concerned about SEO and growth metrics and the like fundamentally misunderstands the opportunity the fediverse provides.

At least for me, it’s nice to have a corner of the internet where, for the most part, discussions don’t escalate to the polemical levels that occur when everyone needs to shout to get a word in edgewise.

I admit that my logic stems from the impulse to gatekeep, but my intent would be that we tend to our gardens, as it were, and let the folks who are seeking that kind of experience filter in at a natural rate. For example, while I don’t think that Lemmy needs to juice it’s SEO, I do think it would be a good idea to continue to improve the onboarding process for folks that don’t give a rip about the tech running their social media.

I’m willing to entertain arguments to the contrary, but I think that this approach encourages growth by improving accessibility, while not overwhelming the aspects of the culture that has gotten folks to stick around here at all. The assumption I’m operating under, and I acknowledge its optimism, is that a person who finds themselves on Lemmy is clearly looking for a different experience than what traditional social media offers them, even if they can’t articulate what exactly it is that they’re missing from corporate owned platforms.

To that end, I don’t think it’s necessary to try and ensure our Lemmy beats out Lemmy Kilmeister, who is the singer I’m hopefully correct in assuming people are talking about lol

Eyyy, +1 for Pennywise. That’s a band I’ve not thought about in some time.

Do you have other recommendations from their catalog? This is the only track of there’s I think I’ve listened to.

Ah, I’m a bit younger (in fact I don’t believe there’s a song on that list that was released after I was born), but I’m a big history geek, and the evolution of genre is a particular fascination of mine, so I have intentionally sought out the music which influenced bands I liked in high school.

I’m sure I’ve missed out on some killer acts from the era, so hopefully someone who was both alive at the time AND paying attention to the scene will appear and give us both an education.

A tangentially related suggestion for you, if you share my fascination with the context around the art we make (though you are probably well aware if you’re an old-head haha), there’s an EXCELLENT documentary about the LA hc punk scene that was released during its zenith (arguably) in 1981. Several of the bands I mention in that list appear. It is called The Decline of Western Civilization, and the most convincing argument I can make to get people to watch it is that the LAPD chief wrote an op-ed demanding theaters not screen it.

Yes, though this is a scenario where I’d argue such a reading is a touch overzealous, and is exactly the sort of overreaction that leads idiots to think that calling Musk’s Nazi salutes what they are is just pearl clutching. The song is about haters who talk mad shit behind your back, but don’t dare say anything to your face. Therefore, “boy” is being used to imply the narrator doesn’t consider these people to be “men”, as they lack some quality (maturity, courage, whatever) necessary to qualify.

Also, the world changed a lot in the decades between the song’s release and 2016. I’m not going to go digging to try and find out exactly how much of a piece of shit Anselmo has been and for how long. Fucker isn’t worth my mental bandwidth, so I’m okay with operating on the assumption that, like many, many folks, he was radicalized over time by the rise of the “alt-right” and becoming wealthy. In either case, it doesn’t change the fact that I’ve got no intention of ever financially supporting his endeavors in the future, despite enjoying some of his output in the past.