For the last few years franchise movies like star wars, marvel, etc. made money regardless of quality. However now it seems like audiences are being choosier when it comes to these kinds of tentpole releases. I’ve seen some people online say that the movie/theater industry is losing people in general but I don’t think that’s the case.

Super Mario and spiderverse made a lot of money. And Oppenheimer, Barbie, and Dune seem to be tracking well. I think the problem is that people are getting sick of the same old stuff and need more than just a brand name to go to the theater. What do you you think?

  • BobQuasit@kbin.social
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    1 year ago

    It’s not superhero fatigue or franchise fatigue. It’s bad writing fatigue. Seriously, I don’t know why Hollywood keeps choosing terrible writers for huge projects, but as long as they are doing that they are going to keep getting what they deserve.

    And speaking of huge projects, from what I’ve heard Indiana Jones and the Dial of Destiny cost $295 million to make rather than 250. And that’s not counting publicity and marketing, which brings it to 400 million if not more. That means they need to make at least $800 million to break even. No matter how you slice their opening weekend, they are in huge trouble. And given that Elementals and The Little Mermaid both bombed hard along with most other Disney movies of the last few years, I’d say that Disney is in serious trouble too!

    On the other hand, Guardians of the Galaxy 3 was rather well written, and from what I’ve heard it did rather well at the box office. Which is just more evidence that if you have a decently-written film the public WILL go and see it. We’re just avoiding crap, that’s all.

    I’ll go out on a limb and say that hauling poor old Harrison Ford away from his bong and forcing him at the age of 80 to make shitty movies is tantamount to elder abuse. As for The Flash, coddling wannabe cult leader and mental defective Ezra Miller was just the icing on the cake. The movie was just badly written.

    Frantic last minute reshoots and rewrites are a dead giveaway that something is seriously wrong with a production. But that that is happening so often in Hollywood in the last several years is clear evidence that Hollywood itself has completely lost their way. I don’t know if they can right that ship, and to be honest I don’t much care. If they won’t provide people with the good entertainment that they want, eventually somewhere else will. Maybe Bollywood or China.

  • King Mongoose@lemmy.film
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    1 year ago

    Could this be the beginning of the end for franchise films?

    We can only hope.

    ‘The Flash’ and Other Mediocre Movies Won’t Stop Superhero Fatigue - Variety. Fifteen years (since Iron Man), for the love of Stan! As Scorsese said, “…that’s not cinema…the closest I can think of them…is theme parks.”

    Fun fact: did you know that the (then) new distribution strategy invented for the iconic film The Godfather gave rise of the Blockbuster (and thus “franchise movies”) and the near-death of auteur cinema?

    [email protected]

    • Prouvaire@kbin.social
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      1 year ago

      @kingmongoose7877 Of course Scorsese’s mastery, knowledge and love of movies is matched by few and surpassed by none. But I do find it amusing that the he criticises lowbrow superhero genre movies when every third film he makes has a bunch of Irish or Italian guys telling each other to fuhgeddaboudit, then shooting each other in the head. (Yes, I’m exaggerating, but not by that much.)

      My point? There are bad, mediocre and good superhero movies, just as there are bad, mediocre and good gangster movies. And every so often there are great genre movies, like The Godfather, or - for my money - Logan (which I think deserved Oscar nominations for picture, director, adapted screenplay, actor, supporting actor and supporting actress).

      And, basically, you just need a lot of movies to be made before a masterpiece is produced. For how many decades were westerns a popular genre? Were directors complaining about the guns’n’horses theme parks in the 1950s? Most westerns that were made over that time have been forgotten, but the great ones like Shane or Unforgiven live on. In fifty years most superheroes will have been forgotten, but a handful will live on.

      To address @chickenwing 's post more directly: I remember reading articles a few years ago about how the age of the movie star was dead (Tom Cruise being cited as one of a few exceptions), and that the age of the franchise/brand (Marvel, Star Wars, Pixar) had arrived. If the age of the franchise is dying, what will rise to take its place?

      • Rikudou_Sage@lemmings.world
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        1 year ago

        If the age of the franchise is dying, what will rise to take its place?

        The age of good writing! Or am I too optimistic?

  • wolfteeth@lemmy.film
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    1 year ago

    i would love to see revivals of old franchises go the way of the dodo. i am as nostalgic as any millennial but if i want to see indiana jones or ghostbusters or whatever, i’ll just watch the originals.

    i don’t think the superhero franchises are going anywhere, unfortunately. they are still reliable, even with some people losing interest over time. it seems like a good moneymaking bet for disney at least. and all the studios seem really risk-averse lately, more than they used to be.

    • Deed@lemmy.dbzer0.com
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      1 year ago

      I’d more interested in MCU stuff if they tried something new with them. It’s why guardians as a franchise did so well. The cracks really started showing id argue with captain marvel.

      • wolfteeth@lemmy.film
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        1 year ago

        I’m just bored of superheroes in general, I think. I watched up to the first Avengers movie as they came out, and kind of lost interest after that. GotG was fun, and I liked the first Black Panther. Loved Thor: Ragnarok. There’s just probably a limit to how much someone can do with that set of concepts without getting repetitive.

        • Deed@lemmy.dbzer0.com
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          11 months ago

          It’s more to me because of the studios interfering. Its worse with wb and DC but like cause it’s a overarching universe each individual projects suffers creatively because of it.

          • wolfteeth@lemmy.film
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            11 months ago

            I haven’t bothered with DC movies since Wonder Woman (2017). It was an OK movie, and then I stepped outside and forgot about it. So I can’t speak to how bad those movies are, haha. With Marvel, I do think the quality is good, it’s just that I’m not interested anymore. I have a hard time understanding how anyone is still excited after 15 continuous years of the same stuff.

  • Rikudou_Sage@lemmings.world
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    1 year ago

    Slightly off-topic, but didn’t they claim something along the lines of “people will ignore that Ezra is a total piece of shit because of how great the movie is”?

    • Solemn@lemmy.dbzer0.com
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      1 year ago

      Wow, you got me to Google the guy. I was expecting a bad incident or two, but the list just goes on and on.

      • AndrewZabar@beehaw.org
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        1 year ago

        He’s mentally ill there’s no doubt about that. But it makes for good sensationalism so social media loves to just celebrate it.

  • WytchStar@kbin.social
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    1 year ago

    Every time a sequel or a comic book movie lands on its face, someone rewrites an article about franchise/superhero fatigue. And that’s been going on for over a decade.

    People will show up to watch a good movie. Guardians 3 did really well. Spider-Man is the “same old stuff.” This is all cherry picking examples. Movies don’t do well when they’re bad or the star is unappealing somehow.

    Hollywood will stop making these movies when people stop paying to see them.