The recordings were captured at Hendrix’s Electric Lady studios with Mitch Mitchell and Billy Cox, and will be accompanied by a documentary on the studio’s creation
I’m not taking this side, but just pointing out: there is an argument to be made that the artist’s choices are irrelevant once they’re dead. By becoming a public figure in life, they have made their life’s work the property of the culture. This idea was hotly debated after Kurt Cobain’s private notebooks were published after his death. I’m still not sure what I think about that.
I have a printing of Einstein’s private notebooks too, and I’m so glad that was possible.
No artist gives themselves to the public, they give their art. The public doesn’t have a right to everything an artist has ever done, especially if those pieces were not completed to the standard the artist wanted.
I’m not taking this side, but just pointing out: there is an argument to be made that the artist’s choices are irrelevant once they’re dead. By becoming a public figure in life, they have made their life’s work the property of the culture. This idea was hotly debated after Kurt Cobain’s private notebooks were published after his death. I’m still not sure what I think about that.
I have a printing of Einstein’s private notebooks too, and I’m so glad that was possible.
I get that it’s a complicated issue, but as an artist myself, just feels a tad dirty.
I agree.
No artist gives themselves to the public, they give their art. The public doesn’t have a right to everything an artist has ever done, especially if those pieces were not completed to the standard the artist wanted.